dc.contributor.author | Colen, B. D. | en_US |
dc.coverage.temporal | Spring 2002 | en_US |
dc.date.issued | 2002-06 | |
dc.identifier | 21W.749-Spring2002 | |
dc.identifier | local: 21W.749 | |
dc.identifier | local: IMSCP-MD5-90a2f421fb97de394ea79396f9dbe61a | |
dc.identifier.uri | http://hdl.handle.net/1721.1/103791 | |
dc.description.abstract | Documentary Photography and Photojournalism: Still Images of A World In Motion exposes students to the work of a number of great documentary photographers and photojournalists, as well as to writing about the documentary tradition. Students work throughout the term on a photo documentary project of their own, attempting to reduce a tiny area of the moving world to a set of still images that convey what the viewer needs to know about what they saw - without hearing the sounds, smelling the odors, experiencing what was happening outside the viewfinder, and without seeing the motion. Students also write papers about the subjects of their photo documentaries. | en_US |
dc.language | en-US | en_US |
dc.rights.uri | Usage Restrictions: This site (c) Massachusetts Institute of Technology 2016. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. | en_US |
dc.rights.uri | Usage Restrictions: Attribution-NonCommercial-ShareAlike 3.0 Unported | en_US |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/3.0/ | en_US |
dc.subject | Photography | en_US |
dc.subject | Photojournalism | en_US |
dc.subject | Writing | en_US |
dc.subject | Journalism | en_US |
dc.subject | Documentary | en_US |
dc.subject | News | en_US |
dc.subject | Image | en_US |
dc.subject | Photo | en_US |
dc.subject | Camera | en_US |
dc.subject | Picture | en_US |
dc.subject | Newspaper | en_US |
dc.subject | Magazine | en_US |
dc.subject | documentary photography | en_US |
dc.subject | photojournalism | en_US |
dc.subject | Susan Sontag | en_US |
dc.subject | Robert Coles | en_US |
dc.subject | Ken Light | en_US |
dc.subject | Eugene Richards | en_US |
dc.subject | Sebastian Salgado | en_US |
dc.subject | still images | en_US |
dc.subject | documentary photographers | en_US |
dc.subject | photojournalists | en_US |
dc.subject | slides | en_US |
dc.subject | photographs | en_US |
dc.subject | photo project | en_US |
dc.subject | contact sheets | en_US |
dc.subject | objectivity | en_US |
dc.subject | myth | en_US |
dc.subject | reality | en_US |
dc.subject | truth | en_US |
dc.subject | reporters | en_US |
dc.subject | voyeurs | en_US |
dc.title | 21W.749 Documentary Photography and Photo Journalism: Still Images of A World In Motion, Spring 2002 | en_US |
dc.title.alternative | Documentary Photography and Photo Journalism: Still Images of A World In Motion | en_US |