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dc.contributor.authorMiller, Ben
dc.coverage.temporalFall 2009
dc.date.accessioned2022-08-11T19:24:43Z
dc.date.available2022-08-11T19:24:43Z
dc.date.issued2009-12
dc.identifier21W.784-Fall2009
dc.identifier.other21W.784
dc.identifier.otherIMSCP-MD5-fbace99fabcf5a28d2c23605d121cb57
dc.identifier.urihttps://hdl.handle.net/1721.1/144326
dc.description.abstract"Becoming Digital" traces the change in practice, theory and possibility as mechanical and chemical media are augmented or supplanted by digital media. These changes will be grounded in a semester length study of "reports from the front." These reports, found and introduced by students throughout the semester, are the material produced by and about soldiers and civilians on the battlefield from the introduction of wet photography during the Crimean and Civil Wars to contemporary digital content posted daily to Web 2.0 sites from areas such as Iraq and Afghanistan and possibly even the games and simulations they've inspired. Students will work through the ethical, aesthetic, technical and cultural problems raised by the primary content and secondary readings in three papers, a group project written with Inform 7, a presentation, and frequent discussion.en
dc.language.isoen-US
dc.relation.isbasedonhttp://hdl.handle.net/1721.1/69821
dc.rightsThis site (c) Massachusetts Institute of Technology 2022. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions.en
dc.rightsAttribution-NonCommercial-ShareAlike 3.0 Unported*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/*
dc.subjectWritingen
dc.subjectcultureen
dc.subjectdigitalen
dc.subjectcomputeren
dc.subjecttechnologyen
dc.subjectdaily livesen
dc.subjectcommunicateen
dc.subjectbusinessen
dc.subjectinformationen
dc.subjectentertainen
dc.subjectmediaen
dc.subjectvaluesen
dc.subjectethicalen
dc.subjectaestheticen
dc.subjectimagesen
dc.subjecttextsen
dc.subjectsoundsen
dc.subjectpeopleen
dc.subjectpropertyen
dc.subjecthistoryen
dc.subjectidentityen
dc.subjectmoviesen
dc.subjectgamesen
dc.subjectmusicen
dc.subjectdigital channelsen
dc.subjectcontent outlineen
dc.subjectdigital contenten
dc.subjectchannelsen
dc.subjectdigital media optionsen
dc.subjectdigital influenceen
dc.subjectdigital marketersen
dc.subjectdigital destinationsen
dc.subjectbehavioral targetingen
dc.subjectdigital marketingen
dc.subjectdigital platformen
dc.subjectdigital gamesen
dc.subjectmobile marketingen
dc.subjectsmart agentsen
dc.subjectgenerating awareness.en
dc.title21W.784 Becoming Digital: Writing about Media Change, Fall 2009en
dc.title.alternativeBecoming Digital: Writing about Media Changeen
dc.audience.educationlevelUndergraduate
dc.subject.cip230501en
dc.subject.cipCreative Writingen
dc.date.updated2022-08-11T19:24:51Z


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