| dc.contributor.author | Robison, Brian | |
| dc.coverage.temporal | Fall 2005 | |
| dc.date.accessioned | 2023-03-20T14:04:13Z | |
| dc.date.available | 2023-03-20T14:04:13Z | |
| dc.date.issued | 2005-12 | |
| dc.identifier | 21M.065-Fall2005 | |
| dc.identifier.other | 21M.065 | |
| dc.identifier.other | IMSCP-MD5-130c4bc06f75f14d5c5021867f46b642 | |
| dc.identifier.uri | https://hdl.handle.net/1721.1/148617 | |
| dc.description.abstract | Through a progressive series of composition projects, this course investigates the sonic organization of musical works and performances, focusing on fundamental questions of unity and variety. Aesthetic issues are considered in the pragmatic context of the instructions that composers provide to achieve a desired musical result, whether these instructions are notated in prose, as graphic images, or in symbolic notation. No formal training is required. Weekly listening, reading, and composition assignments draw on a broad range of musical styles and intellectual traditions, from various cultures and historical periods. | en |
| dc.language.iso | en-US | |
| dc.rights | This site (c) Massachusetts Institute of Technology 2023. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. | en |
| dc.rights | Attribution-NonCommercial-ShareAlike 3.0 Unported | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/3.0/ | * |
| dc.subject | music | en |
| dc.subject | improvision | en |
| dc.subject | form | en |
| dc.subject | structure | en |
| dc.subject | notation | en |
| dc.subject | musical score | en |
| dc.subject | performance | en |
| dc.subject | composer | en |
| dc.subject | listening | en |
| dc.subject | melody | en |
| dc.subject | rhythm | en |
| dc.subject | harmony | en |
| dc.subject | sound | en |
| dc.subject | meter | en |
| dc.subject | syncopation | en |
| dc.subject | consonance | en |
| dc.subject | dissonance | en |
| dc.title | 21M.065 Introduction to Musical Composition, Fall 2005 | en |
| dc.title.alternative | Introduction to Musical Composition | en |
| dc.audience.educationlevel | Undergraduate | |
| dc.subject.cip | 500901 | en |
| dc.subject.cip | Music, General | en |
| dc.date.updated | 2023-03-20T14:04:19Z | |
