dc.contributor.author | Shadle, Charles | en_US |
dc.contributor.author | Harris, Ellen | en_US |
dc.contributor.author | Howe, James | en_US |
dc.coverage.temporal | Spring 2009 | en_US |
dc.date.issued | 2009-06 | |
dc.identifier | 21M.013J-Spring2009 | |
dc.identifier | local: 21M.013J | |
dc.identifier | local: 21A.113J | |
dc.identifier | local: IMSCP-MD5-474d9deb09a06bd92bce1c4ea6aa9279 | |
dc.identifier.uri | http://hdl.handle.net/1721.1/90871 | |
dc.description.abstract | This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing assignments will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips. | en_US |
dc.language | en-US | en_US |
dc.rights.uri | Usage Restrictions: This site (c) Massachusetts Institute of Technology 2014. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. | en_US |
dc.rights.uri | Usage Restrictions: Attribution-NonCommercial-ShareAlike 3.0 Unported | en_US |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/3.0/ | en_US |
dc.subject | magic | en_US |
dc.subject | witches | en_US |
dc.subject | witchcraft | en_US |
dc.subject | belief | en_US |
dc.subject | superstition | en_US |
dc.subject | sorcery | en_US |
dc.subject | ghost | en_US |
dc.subject | spirit | en_US |
dc.subject | heaven | en_US |
dc.subject | hell | en_US |
dc.subject | devil | en_US |
dc.subject | angel | en_US |
dc.subject | occult | en_US |
dc.subject | paranormal | en_US |
dc.subject | religion | en_US |
dc.subject | allegory | en_US |
dc.subject | Bible | en_US |
dc.subject | God | en_US |
dc.subject | sin | en_US |
dc.subject | alchemy | en_US |
dc.subject | astrology | en_US |
dc.subject | mystic | en_US |
dc.subject | mysticism | en_US |
dc.subject | Europe | en_US |
dc.subject | European history | en_US |
dc.subject | medieval | en_US |
dc.subject | Renaissance | en_US |
dc.subject | Shakespeare | en_US |
dc.subject | Goethe | en_US |
dc.subject | Henry James | en_US |
dc.subject | 19th century America | en_US |
dc.subject | metaphysics | en_US |
dc.subject | pragmatism | en_US |
dc.subject | death | en_US |
dc.subject | afterlife | en_US |
dc.subject | soul | en_US |
dc.subject | phantom | en_US |
dc.subject | myth | en_US |
dc.subject | spell | en_US |
dc.subject | wizard | en_US |
dc.subject | wisdom | en_US |
dc.title | 21M.013J / 21A.113J The Supernatural in Music, Literature and Culture, Spring 2009 | en_US |
dc.title.alternative | The Supernatural in Music, Literature and Culture | en_US |